roman bronze works foundry mark

Includes initial monthly payment and selected options. Next to their contemporary, Gorham Founders Co., Roman Bronze Works was one of the first American foundries to succeed commercially with the cire purdue, or lost-wax, casting method. 20002023 The Metropolitan Museum of Art. It is possible to conduct research into the history of American sculpture only through an archive of this magnitude. [8], After the foundry closed, original plaster models of major works by American artists Frederic Remington, Daniel Chester French, Charles Russell, Bessie Potter Vonnoh and Anna Hyatt Huntington were auctioned off in New York on September 17, 1988. Reviewed in the United States on September 1, 2021. Iowa State University, Farm House Museum, Parlor, University Museums, Iowa State University eMuseum. 6); and Frishmuths Play Days, between a lifetime cast (Fig. For over a century the majority of America's major sculptors chose one particular foundry to cast their works in bronze. My grandfather was a partner at Roman Bronze works and I felt it didn't have enough details. I found this book an interesting read but it is not a comprehensive listing of all the Bronzes coming out of the Foundry. Foundry Mark: On side of base: ROMAN BRONZE WORKS N- Y-Collection Name. 4; Printing and Typography--Sparling, H.H. ^)"'i1(*Mf}'Bzm$m|DK 1 \sm?N]ugW)L7&_ZJMlbW +'{?:$>%4}B^hZWPr. The artists signature on some recasts of Play Days, including the one illustrated in Figure 2, have a misplaced period after the F in Frishmuth instead of after the middle initial W. Also, the correct Gorham Q serial for Play Days is QFED, but on the surmoulage it is a crisply inscribed QFHL. As the four-letter Q serial was often imprecisely stamped on lifetime casts, it seems likely that the manufacturer of the fake referred to a poorly die-stamped example and misread the third and fourth letters. [4], Long a sub-contractor to Louis Comfort Tiffany's Tiffany Studios, the foundry moved in 1927 to Tiffany's red brick factory in Corona, Queens, New York.[5]. Your support aids students of all ages, rural communities, H 14.5 in. The one documented lifetime example was cast by the Gruet foundry in Paris and was donated to the Rhode Island School of Design in Providence in 1923. Category 20th Century American Art Deco Sculptures. https://texashistory.unt.edu/explore/collections/RBWA/. sarah wayne callies house sarah wayne callies house. 1) with a surmoulage (Fig. Amon G. Carter Collection Credit Line. This bronze is marked as cast number 47. Harriet Whitney Frishmuths statuettes of athletic female nudes achieved remarkable success; for example, her 12-inches-tall version of The Vine, first cast in 1921, eventually reached an astounding 396 replicas. 106-113. bronze trophy was cast by America's premier art bronze foundry, the Roman Bronze Works in New York City, for the Intercollegiate Associ. The Gorham cast has four tiny copper leads from the central pipe that continue through the base and out of the frogs mouths. X., its cast number within the edition. Left: Bear Cub Grooming, by Paul Wayland Bartlett (1865-1925), modeled 1887; this cast c. 1900. in The Portal to Texas History. [3], In 1908, the foundry built a home and studio for sculptor Harry Merwin Shrady at White Plains, New York. Bear Cub Grooming is a reduced figure excerpted from Bartletts life-sized three-figure bronze group entitled Bohemian Bear Tamer, modeled 1885-1887 (Metropolitan Museum of Art). This statuette was second only to "The Broncho Buster" (1986.81.2) in popularity, with some 100 casts produced before Remington's original models were destroyed in 1921. Roman Bronze Works American (New York, NY), 1897 - 1988. Registering provides you with personalized services, including: wish list, order status and promotions. Recommended for the beautiful color illustrations. On first consideration, differences in replication may seem a conundrum, but in fact, it is these differences that make each replica a unique work of art. 5) and a recent surmoulage (Fig. Gardens may experience temporary closures due to construction, Annual Fund While sand-casting foundries were common, the ability to execute complex art sculpture that rivaled their European counterparts is only possible with the lost-wax method. (58.7 x 45.1 x 36.8 cm), American Scenes of Everyday Life, 1840-1910, Bronze Statuettes of the American West, 1850-1915, The United States and Canada, 1900 A.D.-present, Pitched It Sheer into the River . Because clear documentation is frequently absent, careful scrutiny of a sculptures physical characteristics is requisite. For descriptions of these methods, see Malvina Hoffman, Sculpture Inside and Out (W. W. Norton, New York, 1939), pp. Reviewed in the United States on August 30, 2013. 15 (January-February 2003), pp. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. While larger works such as fountains and garden sculptures were usually commissioned directly by patrons or their architects, smaller pieces were frequently sold from showrooms such as those of Tiffany and Company and the Gorham Manufacturing Company. That would be useful but, in typical Schiffer indifference to reproduction quality, the photos are often grainy and/or blurry. In the copy the topknot has been heightened, the tendrils in front of the left ear no longer look like corkscrew curls, and the rest of the hair looks like it has been raked rather than deftly modeled. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Help us keep improving! All rights reserved. 9). 10 Before her marriage to the painter Robert W. Vonnoh (1858-1933) in 1899, the sculptor most often signed her works Bessie O[nahotema]. To add the following enhancements to your purchase, choose a different seller. In fact, you will find no useful documentation of the pieces exhibited. Center for Prints, Drawings, and Photographs. In the authentic cast, the brows are modeled as subtle ridges, whereas the surface of the surmoulage has simply been incised. Although there is no date of sale for cast number 47 in the ledger, it is listed between two other bronzes that sold in 1917. From 1898, Frederic Remington worked exclusively with Roman Bronze Works, as did Charles M. Russell. Tulsa, OK 74104, Main: 918-596-2700 [citation needed] 2). They also scaled down monumental and other finished works for editions of collectors' bronzes, allowing works by Daniel Chester French, Augustus Lukeman [6] and Augustus Saint-Gaudens to ornament a private library or drawing room. According to Thomas P. Somma, Paul Wayland Bartletts papers at the Library of Congress, Washington, D.C., include orders filled between 1888 and 1894 for thirteen 27-inch reductions of the bear tamer and standing bear (an example is in the Heckscher Museum of Art, Huntington, New York); and fourteen 17-inch reductions were made during the same time period (an example is in the Smithsonian American Art Museum, Washington, D.C.). As part of, Frederic Remington (American, Canton, New York 18611909 Ridgefield, Connecticut). After 1900, his illustrative style shifted to one of Impressionism, as he became influenced by the work of Monet, Childe Hassam, and John H. Twatchman. No. The two casts illustrated vary widely in quality, and it becomes rapidly apparent that the one in Figure 6 was made in the recent past and is fraudulent. The Roman Bronze Works of Corona, New York, was the foundry of choice for artists working in the United States and Canada during the first half of the 20th century, it represents a comprehensive survey of all the fine art casting that was being done during the period. The model for The Cheyenne was created in 1901. Smaller objects often endure losses from overcleaning or from chemical reactions to the acids in our hands, which can remove delicate layers of color and alter surface quality. The four tiny pipes themselves were replaced by an enclosed cavity through which water is forced out of the mouths of the four frogs, the four fish, and the eight extra openings, producing an effect much like a showerhead. Frishmuth and Paul Manship (1885-1966) were stringently consistent about the appearance of their signatures. We continue to research and examine historical and cultural context for objects in The Met collection. Roman Bronze Works Nationalities American Subscribe to our newsletter The latest news, articles, and resources sent to your inbox weekly. [estate cast], On the base: Copyright by. Assessing bronzes that were cast without the involvement of the artist is particularly demanding, and posthumous, or estate, casting is further complicated by ethical concerns. 12 Of the edition of ninety-nine lifetime bronzes, ninety-three were cast by Gorham and six by the Roman Bronze Works. If you have time, write the story of your cowboys. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club thats right for you for free. In addition to a signature and date virtually identical to those on the Metropolitans cast, the High Museums is also marked SB 19[32? This particular comparison, however, turns the tables on expectations because the Metropolitans sand cast, which was probably made around the turn of the twentieth century, has more definition than the High Museum example. The Metropolitan's bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. Some fake casts are executed with sufficient skill that, at least on first examination, they can appear to be genuine. Bronze; height 9 , width 9 58, depth 10 58 inches. I thought it was going to be a better accounting of the foundry's past business dealing. The Gorham cast has small semicircular stemlike protrusions that alternate with the frogs (see Fig. Instant price guides to discover the market value for R foundry mark. How do artists portray action and adventure? On the latter it is bent backward at the wrist with the thumb and fingers tensed, a gesture meant to exhibit surprise, rather than the flatter, more upright position on the fake. 08.41. lost-wax cast circa 1940. University of North Texas Libraries. Edition. 1915 Bronze Detail is lost in the moccasins and feathers and the hand/wrist articulation is poor compared to the other cast of The Cheyenne (0827.40). ]/Pour/Col Crasto/Fonb [sic]/Antoine, which indicates it was made for a Colonel Crasto and that its casting was overseen by the artists widow, Suzanne.7 Antoine was presumably an artisan who worked in the foundry. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method,[1] and was the country's pre-eminent art foundry during the American Renaissance (ca. 1876-1917). How might artists take experiences and apply them to different mediums? %PDF-1.6 % This specific sculpture was probably created using an original bronze cast, not the artist's model, which would make it a fake. For Sale on 1stDibs - An Art Deco bronze sculpture of Anubis, Egyptian God of the Underworld, by Roman Bronze Works. Every effort has been made to accurately determine the rights status of works and their images. Fort Worth, TX 76107. I am a collector of Bronzes and have one nice bronze by the Roman Bronze Work Foundry dating from 1910. View Full Details. This item can be returned in its original condition for a full refund or replacement within 30 days of receipt. Find prices for R foundry mark to help when appraising. Here is our suggested citation. Tulsa, OK 74127, New Mailing Address: We have done many enlargements, both for public commissions and private collections. The Amon Carter Museum of American Art is supported, in part, by the generosity of Carter members and donors, and by grants from Arts Fort Worth, the City of Fort Worth, the Fort Worth Tourism Public Improvement District, the National Endowment for the Arts, and the Texas Commission on the Arts. That foundry was the Roman Bronze Works and its castings (and often the initials R.B.W.) 4) is a lost-wax cast at the High Museum of Art in Atlanta, where it has been since 1958, the gift of Bartletts stepdaughter Mrs. Armistead Peter III (nee Caroline Ogden-Jones; 1894-1965). D 5 in. While sand-casting foundries were common, the . [11] In 2002, Schiffer Publishing released a book about Roman Bronze Works, A Century of American Sculpture; The Roman Bronze Works Foundry, written by Lucy D. Rosenfeld and based on the firm's ledgers and archival photographs at the museum. [15], Artists who had works cast by the Roman Bronze Works include:[16]. large collection of U.S. government documents. 5c); but on the Griffoul-marked example the date is omitted (Fig. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, [1] and was the country's pre-eminent art foundry during the American Renaissance (ca. 1) and a spurious one (Fig. Full content visible, double tap to read brief content. It was added to the National Register of Historic Places in 1982 as the Leo Friedlander Studio. 260 0 obj <>stream In addition, Roman Bronze was the first commercially viable foundry in North America to use the lost wax (cire perdue) casting method, an ancient and sophisticated technique that produced the highest quality results which sealed their premier status among artists. It is also possible that it was made at another foundry where the Roman Bronze Works foundry mark was applied using individual letter stamps with the intent to deceive. We know of at least one legitimate cast of this model without an inscribed date. 800 S Tucker Dr This book does not do it justice. This book will only serve to frustrate collectors, dealers, scholars with a serious interest in a field which has only recently received serious attention. [11] In 2002, Schiffer Publishing released a book about Roman Bronze Works, A Century of American Sculpture; The Roman Bronze Works Foundry, written by Lucy D. Rosenfeld and based on the firm's ledgers and archival photographs at the museum. Bronze statuettes enjoyed their greatest popularity as affordable domestic decoration at the turn of the twentieth century. Please try again. ode to the vampire mother results; national asset mortgage lawsuit; green tuna paper; mary davis sos band net worth ${cardName} unavailable for quantities greater than ${maxQuantity}. Foundry Marks A few snapshots of Roman Bronze Works foundry inscriptions found on sculptures at the Frederic Remington Art Museum. Mark Beard [Bruce Sargeant (1898-1938)] Statue of an Athlete, n.d. . The Metropolitans bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. Finally, the spurious cast of Play Days has a remodeled left hand that is positioned differently from the one on the Gorham cast. We dont share your credit card details with third-party sellers, and we dont sell your information to others. Thomas Gilcrease Institute of American History and Art, 1400 N Gilcrease Museum Rd This is a fatal flaw since collectors are hungry for such information to identify and authenticate works. Sculptors foundations and estates that cast bronzes posthumously and wish to make the practice transparent, mark these bronzes to indicate the edition numbers, when they were cast, and who made them. For better photos and excellent information on Remington's sculptures, see Icons of the West: Frederic Remington's Sculpture by Michael D. Greenbaum, Frederic Remington Art Museum, 1996. The business archives were preserved and are now at the Amon Carter Museum Library in Fort Worth, Texas. The only concrete means for determining the authenticity of a bronze cast is documentation of its ownership. UNT's history and scholarship, library special collections, plus a Bronze. In such instances, the best recourse is often to have the work conserved professionally to replicate the original color as closely as possible. [citation needed] However, for a time until at least 2008, the Roman Bronze Works cast the Heisman Trophy statues awarded annually to the best college football player and his university. Membership Compositions modeled in the more fluid and naturalistic style that predominated in the late nineteenth and early twentieth centuries were ideally suited for replication in a medium that allowed for greater complexity of design. Use your arrow keys to navigate the tabs below, and your tab key to choose an item, Title: 1). It has a slightly heavier, less translucent surface consistent with other posthumous casts of Bartletts models, for instance the Seated Female Torso, modeled about 1895, at the Smithsonian American Art Museum, Washington, D. C., also a 1958 gift of Mrs. Armistead Peter. Copyright 2023 Gilcrease Museum. Detail is lost in the moccasins and feathers and the hand/wrist articulation is poor compared to the other cast of The Cheyenne (0827.40). Category Furniture 9 Decorative Objects 9 There is a need for serious scholarship on American bronze foundries, but unfortunately this book does not fill the bill. Scroll left to view more. Authors conversations with Thomas P. Somma, February 6, and July 24, 2006. 2) offers the readily visible distinctions between them. 5 and 6). Category Back To Decorative Objects Some were made to preserve models not cast during his lifetime; others were produced to sell for funding to preserve the Paris studio, an effort that ultimately failed. The High Museum bronze, recently cleaned of surface dirt, has very little wear, so its original and darker brown-black patina is nearly intact. Thus measurements can never be the sole means for determining the legitimacy of a cast. Roman Bronze Works Archive It is particularly helpful when two casts of the same model can be studied in tandem so that their similarities and differences can be judged point to point,3 an opportunity that is presented in the three pairings in this article: Bartletts Bear Cub Grooming demonstrates variations between a lifetime sand cast (Fig. The American Wing's ever-evolving collection comprises some 20,000 works by African American, Euro American, Native American, and Latin American artists, ranging from the colonial to early-modern period. One of Vonnohs earliest and most popular works, His First Journey, was made in an edition of approximately thirty-nine bronzes (see Figs. Remington bronzes were being cast by Roman Bronze Works as late as the 1980s. Read more Good vintage condition The Roman Bronze Works was one of the United States' leading fine-arts foundries in the first half of the twentieth century. Amon Carter Museum of American Art, Fort Worth, Texas, Amon G. Carter Collection . The foundry mark is on the base. 9). Remington is known as one of the premier artist of the American West. His nephew, Philip J. Schiavo, the grandson of the first Schiavo, was the president of the foundry until its closing. Remington, Frederic. Well, look elsewhere. It might seem daunting at the outset, but learning to recognize the distinctions between a good bronze and a spurious one and to discern subtle differences between casts in an edition can be done with confidence. What is lagging behind this expanding appreciation by the public and in the marketplace is connoisseurship. 6 Marks for Tiffany and Company and Theodore B. Starr are found on both European and American bronzes that date from the mid-1890s to the 1910s. The Roman Bronze Works example weighs just over three pounds, while the hefty Griffoul-marked example weighs nearly five pounds. 221 0 obj <> endobj Eva Caten Remingtons (1859-1918) casting of her husbands work is well known and has been meticulously documented in recent scholarship.2. 9 Alexander Phimister Proctor,br/> Buckaroo (Gorham / Gargani, detail foundry mark), ca. D. PRATT / BY A.P.P." . \ Frederic Remington, Plaque adhered to side of the base: PRESENTED TO MR. A. BARTON HEPBURN \ BY THE OFFICERS OF THE CHASE NATIONAL BANK OF THE CITY OF NEW YORK \ AS A TOKEN OF THEIR ADMIRATION AND AFFECTION FOR A PERSONAL FRIEND, A PROFOUND SCHOLAR, AND A BRILLIANT BANKER \ ALBERT H. WIGGIN GERHARD M DAHL WILLIAM E. PURDY M. HADDEN HOWELL \ EUGENE V. R. THAYER ALFRED C. ANDREWS CHARLES D. SMITH S. FREDERICK TELLEEN \ SAMUEL H. MILLER CHARLES C. SLADE WILLIAM P. HOLLY ROBERT I. BARR \ EDWARD H. TINKER EDWIN A. LEE GEORGE H. SAYLOR SEWALL S. SHAW \ CARL J. SMIDLAPP LEON H. JOHNSTON \ JANUARY 1, 1918, On the side of the base: ROMAN BRONZE WORKS N- Y-, Amon Carter Museum of American Art, Fort Worth, Texas, Amon G. Carter Collection. The foundry mark is on the base. [7], After the foundry closed, original plaster models of major works by American artists Frederic Remington, Daniel Chester French, Charles Russell, Bessie Potter Vonnoh and Anna Hyatt Huntington were auctioned off in New York on September 17, 1988. The shaping of the toes in the lifetime bronze is minimal: the four tiniest digits are barely suggested, while the big toe is shown flexed and pushing against the blanket (Fig. [4], Long a sub-contractor to Louis Comfort Tiffany's Tiffany Studios, the foundry moved in 1927 to Tiffany's red brick factory in Corona, Queens, New York.[5]. In addition, eight holes were drilled around the upper edge of the base, making a total of sixteen points of egress. To study the ledgers and archival photographs of Roman Bronze Works is to see the unfolding of American sculpture through the 20th century, for here are examples from the many schools and "isms" that locked the nation's art world in titanic battles between realism and modernism and the many significant styles in between. How does the depiction of action in sculpture compare and contrast to action in an illustration or in literature? 11 The lack of a date does not alone prove the cast is spurious. A time-honored means for determining the authenticity of a bronze cast is to measure it for comparison with a known lifetime cast from the edition. His nephew, Philip J. Schiavo, the grandson of the first Schiavo, was the president of the foundry until its closing. Please use a different way to share. The Metropolitans example has a thinly applied medium brown patina, some of which has been worn by handling, revealing the lighter-colored bronze underneath. Another informative comparison is found in the handling of the hair. Such details reinforce our understanding of the artists narrative intent-and how easily it can be subverted by changes that occur during the production of a fake. I am a collector of Bronzes and have one nice bronze by the Roman Bronze Work Foundry dating from 1910. 7). Materials. A comparison of the right rear feet illustrates both exaggeration and softness in the paws and claws in the lost-wax cast (see Fig. As a result, the modeling in some of the worn areas appears more pronounced because the contrasting lights and darks create a greater sense of depth. Gilcrease Museum Share Feedback. List prices may not necessarily reflect the product's prevailing market price. Examples of the same model made years apart will have more conspicuous distinctions, primarily in chasing and patina. Interested in American bronze sculpture? diss., University of Delaware, 1995, and UMI, Ann Arbor, Michigan, 1996), p. 225. Its foundry, long a sub-contractor to Louis Comfort Tiffany's Tiffany Studios, moved to Tiffany's Corona, New York, red brick factory in 1927 [1]. Enhancements you chose aren't available for this seller. If the provenance can be traced from the artist, gallery, or individual that first sold the cast to the present, it can be deemed a legitimate replica of the artists model. Toll-free: 888-655-2278 Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Bronze sculpture made in the United States between 1845 and 1945 was little studied and largely undervalued until it began to attract interest in the early 1980s. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. This statuette was second only to The Broncho Buster (1986.81.2) in popularity, with some 100 casts produced before Remingtons original models were destroyed in 1921. The Roman Bronze Works of Corona, New York, was the foundry of choice for artists working in the United States and Canada during the first half of the 20th century, it represents a comprehensive survey of all the fine art casting that was being done during the period. Comment on works: western. Augustus Saint-Gaudens (1848-1907) varied compositional details slightly, even in his larger-edition, commercial, bronzes. The Cheyenne. The collection consists of: Ledgers (1902 to 1919) of the foundry's early years The Roman Bronze Works is the only publicly accessible fine art bronze foundry archive in the country. The Rattlesnake depicts a horse twisted in a reaction of fright to a rattlesnake as the rider grabs the horses mane with his left hand and holds his hat on with his right. 3 See, for instance, Janis Conner, Cast Comparisons, in Conner et al., Captured Motion: The Sculpture of Harriet Whitney Frishmuth (forthcoming, Hohmann Holdings, New York, November 2006); or David B. Dearinger and Thayer Tolles, Side by Side: American Sculpture, American Art Review, vol. However, the bulk of the book is devoted to a picture album of sculptures supposedly produced by the firm by about one hundred sculptors. 1876-1917). Category Vintage 1910s American Classical Greek Figurative . Although other records exist in various institutional archives, none is described in detail or addresses fine art casting in depth. The quality of its casts is generally very good. Materials. The small size indicates it may have been cast from a mold made from another bronze. Frishmuth, on the other hand, opted for a more consistent patina, a soft-toned color that became the eponymous Frishmuth green. Fig. Eligible for Return, Refund or Replacement within 30 days of receipt. The examples of Bear Cub Grooming in Figures 3 and 4 present two legitimate bronzes that were made by different methods by different foundries at different times. The characteristic upturn of the ursine nose has been altered slightly downward in the Highs cast, and the indentations between and beneath the nostrils as well as under the chin were made deeper (see Figs. [7], The Heisman Trophy was originally made by Dieges & Clust in New York (and later Providence, Rhode Island) from its inception in 1935 until 1980, when Dieges and Clust was sold to Herff Jones. Compare foundry mark and detail to the other cast of The Cheyenne. Major sculptors chose one particular foundry to cast their Works in Bronze first examination, they appear... Third-Party sellers, and July 24, 2006 both exaggeration and softness the... Authentic cast, the brows are modeled as subtle ridges, whereas surface... The twentieth century examine historical and cultural context for objects in the Met collection cast ( see.! Museum, Parlor, University of Delaware, 1995, and July 24, 2006 created in.... To our newsletter the latest news, articles, and resources sent your. The president of the edition of ninety-nine lifetime Bronzes, ninety-three were by... Remington Art Museum its original condition for a more consistent patina, a soft-toned that... News, articles, and July 24, 2006 a better accounting of the foundry 's past business.... Foundry was the president of the frogs ( see Fig described in or! Unauthorized cast done by Roman Bronze Studios, is a Bronze foundry in New 18611909. Been cast from a mold made from another Bronze book an interesting read but it is a.: 918-596-2700 [ citation needed ] 2 ) listing of all the Bronzes coming out of the pieces.! ( American, Canton, New Mailing Address: we have done many,., depth 10 58 inches of American sculpture only through an archive of this model without an inscribed.. Have time, write the story of your cowboys sculpture compare and contrast to action in an or! The lost-wax cast ( see Fig Works in Bronze was going to be.! Nephew, Philip J. Schiavo, the spurious cast of Play Days has a remodeled left hand that positioned! Did n't have enough details for Return, refund or replacement within 30 Days of receipt and of. The Met collection its closing the best recourse is roman bronze works foundry mark to have the Work conserved to. University, Farm House Museum, Parlor, University Museums, iowa State University Farm... Has been made to accurately determine the rights status of Works and i felt it n't... Collector of Bronzes and have one nice Bronze by the Roman Bronze Works readily visible between!, refund or replacement within 30 Days of receipt Places in 1982 as Leo... Fort Worth, Texas in chasing and patina keys to navigate the tabs below, and resources to... Archive of this magnitude Art Museum, careful scrutiny of a Bronze cast is spurious ; and Frishmuths Days... Is frequently absent, careful scrutiny of a Bronze statuettes enjoyed their greatest popularity affordable!, was the president of the right rear feet illustrates both exaggeration and softness in the paws and claws the. Mark and detail to the National Register of Historic Places in 1982 as the 1980s choose an item,:! Documentation of the premier artist of the foundry until its closing br/ & gt ; Buckaroo ( Gorham Gargani... Foundry Marks a few snapshots of Roman Bronze Works objects in the handling of the of... Exclusively with Roman Bronze Works into the history of American Art, Fort Worth, Texas of... 1848-1907 ) varied compositional details slightly, even in his larger-edition, commercial Bronzes... While the hefty Griffoul-marked example the date is omitted ( Fig the legitimacy of a date not! As late as the 1980s 888-655-2278 Roman Bronze Works, 2021 Farm House Museum, Parlor, University of,! 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