Later that year The Clovers' "One Mint Julep" reached No. Wexler's success for Atlantic was the result of going outside jazz to sign acts who combined jazz, blues, and rhythm and blues, such as Ray Charles, Joe Turner, and Aretha Franklin. ", Atlantic suffered a catastrophic loss in the early morning of February 8, 1978, when a fire destroyed most of its tape archive, which had been stored in a non-air-conditioned warehouse in Long Branch, New Jersey. Spector became one of the most successful record producers of the 1960s. Cotillion was also responsible for launching the career of Luther Vandross, who recorded for the label as part of the trio Luther. Sam Riback has been working as a Vice President of A and R at Atlantic Records for 21 years. Acceding to Ertegun's demand, Collins took the unusual step of overdubbing extra drums on the finished master tape, and he later commented, "He (Ertegun) was quite right. In the event, Ertegun and Atlantic were the clear winners. Ahmet Ertegun had first seen them perform in the Midwest on one of their early American tours, and it was on this occasion that he also became an ardent fan of their drummer/vocalist, Phil Collins. Jan 15 2023. [43] After a slow start, Atco had considerable success with Bobby Darin. [69] By 1969, the Atlantic 8000 series (196872) consisted of R&B, rock, soul/rock and psychedelic acts. He produced "Twist and Shout" for The Top Notes, and it flopped. He was named Atlantic Senior Vice President of A&R in 2020. The group was the brainchild of expatriate British musicians Mick Jones (ex Spooky Tooth) and Ian McDonald, one of the founding members of King Crimson. Charles signed a contract with ABC-Paramount that included higher royalties, a production deal, profit-sharing, and eventual ownership of his master tapes. The demo tapes of the songs that eventually became their debut album (including the song "Feels Like The First Time") were famously rejected by almost every major label, including Atlantic although their tenacious manager Bud Prager later revealed that, in retaliation for a previous bad deal, he deliberately didn't approach CBS ("They had screwed me out of a lot of money, so I figured I would screw them out of Foreigner. Wexler recalled, "We didn't pay for the mastersJim paid for the masters and then he would send us a finished tape and we would put it out. [19], Recording engineer and producer Tom Dowd played a crucial role in Atlantic's success. The announcement was made today by Atlantic Chairman/COO Julie Greenwald and Chairman/CEO Craig Kallman . [71][pageneeded] With Ertegun's power at Warners now secure, Atlantic was able to maintain autonomy through the parent company reorganizations and continue to do their own marketing, while WEA handled distribution. In 1990 Ertegun remarked, "The president of RCA at the time had been extensively quoted in Variety damning R&B music as immoral. Stereo versions of Ray Charles "What'd I Say" and "Night Time is the Right Time" were included on the Atlantic anthology The Birth of Soul: The Complete Atlantic Rhythm & Blues Recordings, 19521959. In April of that year, Miriam (Abramson) Bienstock reported to Billboard that Atlantic was selling 75% of its singles as 45s. All Rights Reserved. [5], In early 1949, a New Orleans distributor phoned Ertegun to obtain Stick McGhee's "Drinking Wine, Spo-Dee-O-Dee", which was unavailable due to the closing of McGhee's previous label, Harlem Records. By Murray Stassen. Abramson's then wife Miriam ran Atlantic's publishing company and handled most of the office work. Professional Member of The Recording Academy / GRAMMY's, Recipient of the Nordic Music Bizz' '20 under 30' prize anno 2019. The label was originally formed as an outlet for blues and deep Southern soul; its first single, Otis Clay's version of "She's About A Mover", was an R&B hit. Leiber and Stoller also wrote the hit "Ruby Baby" for The Drifters. In 1969 Warner Bros.-Seven Arts was taken over by the Kinney National Company, and in the early 1970s the group was rebadged as Warner Communications. Staff engineer Tom Dowd recalled, "Tokyo Rose was the kindest name some people had for her"[8] and Doc Pomus described her as "an extraordinarily vitriolic woman". Atlantic's regret was undoubtedly heightened when Gabriel achieved huge international success with his fifth album So (1986), which reached #1 in the UK and #2 in the US and sold more than 5 million copies in the US. Wexler had hired Greenberg and acted as his mentor, teaching him the daily operations of the record business. He wore T-shirts reading "Atlantic Records sucks" while performing live and, in the music video for "White & Nerdy", he defaces Atlantic's article on Wikipedia, replacing the page with "YOU SUCK!" In 1953 (according to Billboard) Atlantic was the first label to issue commercial LPs recorded in the experimental stereo system called binaural recording. Over the course of two decades, starting from the release of its first recordings in January 1948,[3] Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Much of Atlantic's renewed success as a rock label in the late 1970s can be attributed to the efforts of renowned A&R manager John Kalodner. [36] By 1958 Atlantic was America's second-largest independent jazz label. Lanre Gaba has been promoted to Co-President, Black Music for Atlantic Records. By 1958, relations between Abramson and his partners had broken down; in December 1958 a $300,000 buy-out was arranged; his stock was split between Nesuhi Ertegun and Abramson's ex-wife Miriam, who had in the meantime remarried to music publisher Freddy Bienstock (later the owner of the Carlin Music / Chappell Music publishing empire). [57] The deal marked the start of a successful eight-year association between the two labels, giving Stax access to Atlantic's promotions and distribution. 2 after spending almost six months on the Billboard R&B chart although McGhee himself earned just $10 for the session. The Vice President of Student Records and College Registrar provides the statewide vision and leadership for the student records enterprise at Ivy Tech Community College. The building was purchased less than a week earlier and had been scheduled to reopen as a Nadler's Furniture Center, in an effort to revitalize the downtown area. 21 albums were released simultaneously in 1965,[45][46] all of them shown on the back cover of their releases. 2005 - Jerry & Bob Greenberg form the Rainbow Bar & Grill Expansion Group. [18], On the recommendation of broadcaster Willis Conover, Ertegun and Abramson visited Ruth Brown at the Crystal Caverns club in Washington and invited her to audition for Atlantic. The new Warner owners refused to relinquish ownership of the Stax masters, so the distribution deal ended in May 1968. In seven years, Greenberg went from personal assistant to president of the label. Location. But when Ahmet learned that Nesuhi had been offered a partnership in Atlantic's rival Imperial Records, he and Wexler convinced Nesuhi to join Atlantic instead. [26] In this system, recordings were made using two microphones, spaced at approximately the distance between the human ears, and the left and right channels were recorded as two separate, parallel grooves. A few people had tagged him and I reached out to ask if he would be so kind to let me interview him. 3 in September 1952, and "Mama, He Treats Your Daughter Mean" with Connie Kay on drums reached No. In 1956 he started the '8000' popular series (selling for $3.98) for the label's few R&B albums, reserving the 1200 series for jazz. As Executive Vice President of the label since 2013, she has been the driving force behind radio hits by Meek Mill, Cardi B, Bruno Mars, Lil Uzi Vert and Gucci Mane to name a few. His death was confirmed by the coroner's office, Pacific Attorney Group. After buying Elektra Records and its sister label Nonesuch Records in 1970, Kinney combined the operations of all of its record labels under a new holding company, WEA, and also known as Warner Music Group. Upon joining Atlantic, Kallman established his A&R credentials by signing and A&R-ing several hit artists, including Notorious B.I.G., P.O.D., Aaliyah, Brandy, Timbaland, Lil' Kim and Junior M.A.F.I.A. For much of its early history, Jerry Wexler had been managers of the label,[73] while Ertegun had concentrated on A&R and had less interest in the business side. After hearing the song's sparsely-arranged opening section, Ertegun said: "Where's the backbeat, man? He signed with Capitol and moved for Hollywood to attempt a movie career, but hits such as "You Must Have Been a Beautiful Baby" and "Things" continued to benefit Atco through 1962. When Abramson returned from military service in 1955, he realized that he had been replaced by Wexler as Ahmet's partner. [26] He deleted the old '100' and '400' series of 10" albums and the earlier 12" albums in Atlantic's catalog, starting the '1200' series, which sold for $4.98, with Shorty Rogers' The Swingin' Mr Rogers. "[19] She rose to fame quickly and was called the Queen of Soul. 2003-04 - Mirage Music Entertainment has been reactivated with a distribution deal through Sony Music. Craig Rosen has been working as a Vice President, A and R at Atlantic Records for 10 years. I'm signing you today". The band was never even offered to them. Wexler disliked him. From 1970 it also distributed Embryo Records, founded by jazz flautist Herbie Mann after his earlier Atlantic contract had expired. Brown recorded more than eighty songs for Atlantic, becoming its bestselling, most prolific musician of the period. [26], Beginning in 1954, Atlantic created or acquired several subsidiary labels, the first being Cat Records. 2, Pop No. [5], Although Leiber and Stoller wrote many popular songs for Atlantic, their relationship with the label was deteriorating in 1962. Halifax, Nova Scotia, Canada. The ideal candidate will develop new . 1972 - Within five years, Greenberg held two titles; Vice President of Radio Promotion, and Vice President of Artists and Repertoire for Atlantic Records. Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's breakthrough album, "Please. Atlantic Records President of Promotion Andrea Ganis Looks Back, and Ahead, at Her Legendary Career By Jem Aswad Courtesy of andrea ganis Few music industry vets approach the level of royalty. Their assignment to work on The Drifter's next recording was given to Phil Spector. The irony was further compounded by the fact that Gabriel scored a US #1 hit with the R&B-influenced single "Sledgehammer", which featured the legendary Memphis Horns, and which Gabriel later described as "my chance to sing like Otis Redding. That streak has continued over the years, particularly with the remarkably consistent current regime of co-chairs Craig Kallman and Julie Greenwald, who have steered the ship since 2004. Irene Sourlis is a Vice President, A&R Administration at Atlantic Records based in New York, New York. Brown received a voluntary payment of $20,000 and founded the Rhythm and Blues Foundation in 1988 with a donation of $1.5 million from Ertegun. In January 1970, Ahmet Ertegun was successful in his executive battle against Warner Bros. Records President Mike Maitland to keep Atlantic Records autonomous and as a result, Maitland was fired by Kinney president Steve Ross. [7] Miriam gained a reputation for toughness. "[7] The label's office in the Ritz Hotel in Manhattan proved too expensive, so they moved to a room in the Hotel Jefferson. During his short time at Atlantic, Spector produced music for LaVern Baker, Ruth Brown, Jean DuShon, and Billy Storm. In addition, Mirage opened a subsidiary office in Jamaica with Stacy Greenberg as General Manager and an office in Las Vegas, NV. Variety and the Flying V logos are trademarks of Variety Media, LLC. He was credited with improving the production, packaging, and originality of Atlantic's LPs. Our costs began at the production levelthe pressing, and distribution, and promotion, and advertising. By the age of eighteen, Greenberg already had his own record label, called Green-Sea Records. Atlantic missed an important signing in 1955 when Sun owner Sam Phillips sold Elvis Presley's recording contract in a bidding war between labels. [16] Early releases included music by Sidney Bechet, Barney Bigard, The Cardinals, The Clovers, Frank Culley, The Delta Rhythm Boys, Erroll Garner, Dizzy Gillespie, Tiny Grimes, Al Hibbler, Earl Hines, Johnny Hodges, Jackie & Roy, Lead Belly, Meade Lux Lewis, Professor Longhair, Shelly Manne, Howard McGhee, Mabel Mercer, James Moody, Joe Morris, Art Pepper, Django Reinhardt, Pete Rugolo, Pee Wee Russell, Bobby Short, Sylvia Syms, Billy Taylor, Sonny Terry, Big Joe Turner, Jimmy Yancey, Sarah Vaughan, Mal Waldron, and Mary Lou Williams. [24][25], Atlantic was one of the first independent labels to make recordings in stereo: Dowd used a portable stereo recorder which ran simultaneously with the studio's existing mono recorder. [14], Ertegun and Abramson spent much of the late 1940s and early 1950s scouring nightclubs in search of talent. According to Greenberg, Ertegun had long seen the UK as a source of untapped talent. 1, Pop No. [89] Although Yankovic could have made the parody anyway, claiming Fair Use, his record label, Volcano Entertainment, thought it best not to "go to war" with Atlantic. Leiber, Stoller, Goldner, and Wexler suggested their plan to Ertegun at a lunch meeting at the Plaza Hotel in New York. Although Leiber considered dropping the matter, Stoller pressed Atlantic for payment. The sale of Atlantic Records activated a clause in the distribution agreement with Stax Records calling for renegotiation of the distribution deal and at this point, the Stax partners discovered that the deal gave Atlantic ownership of all the Stax recordings Atlantic distributed. During his tenure at United Artists Music, he was executive producer for the soundtrack to the movie 'Karate Kid 2,' which went gold. In its tenth anniversary feature on Atlantic, Billboard noted, " a very big R&B record might achieve 250,000 sales, but from this point on (195354), the industry began to see million sellers, one after the other, in the R&B field". Ertegun knew Stick's younger brother Brownie McGhee, with whom Stick happened to be staying, so he contacted the McGhee brothers and re-recorded the song. Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's No.1 album, Please Excuse Me for Being Antisocial. In 1978, Atlantic finally broke the leading UK progressive group Genesis as a major act in the US. WEA was also used as a label for distributing the company's artists outside North America. 1957 - Gerald L. Greenberg from New Haven, CT formed his own band. So significant was Brown's success to Atlantic that the label became known colloquially as "The House That Ruth Built". [6] He convinced the family dentist, Dr. Vahdi Sabit, to invest $10,000 and hired Herb Abramson, a dentistry student. 5[30] (although The Crew-Cuts' version went to No. The brothers were fans of jazz and rhythm & blues, amassing a collection of over 15,000 78 RPM records. [10][11][12] In the early fifties, Atlantic moved from the Hotel Jefferson to offices at 301 West 54th St and then to 356 West 56th St. Atlantic's first recordings were issued in late January 1948 and included "That Old Black Magic" by Tiny Grimes and "The Spider" by Joe Morris. Kenny . Jerry Wexler spent a majority of his time in Florida, which left Greenberg plenty of time to spend with Ahmet Ertegun, who was President of Atlantic at that time. Sill recommended Spector to Leiber and Stoller, who assigned him to produce "Corrine, Corrina" by Ray Peterson and "Pretty Little Angel Eyes" by Curtis Lee. Initially, Atlantic and Atco operated entirely separately from the group's other labels, Warner Bros. Records and Reprise Records, and management did not interfere with the music division, since the ailing movie division was losing money, while the Warner recording division was booming by mid-1968 Warner's recording and publishing interests were generating 74% of the group's total profits.[63][64]. Aretha Franklin signed with Atlantic in 1966 after her contract with Columbia expired. 1), "Baby, I Love You" (Soul No. Among its acts were the post-Curtis Mayfield Impressions, Slave, Brook Benton, Jean Knight, Mass Production, Sister Sledge, The Velvet Underground, Stacy Lattisaw, Lou Donaldson, Mylon LeFevre, Stevie Woods, Johnny Gill, Emerson, Lake & Palmer, Garland Green, The Dynamics, The Fabulous Counts, and The Fatback Band. [9] When interviewed in 2009, she attributed her reputation to the company's chronic cash-flow shortage: " most of the problems we had with artists were that they wanted advances, and that was very difficult for us we were undercapitalized for a long time. Ertegun denied this was intentional. The soul/country & western crossover predated Ray Charles' similar venture by more than 6 months. Ertegun and Wexler knew of the group's leader, Jimmy Page, through The Yardbirds, and their favorable opinion was reinforced by Dusty Springfield, who recommended Atlantic sign the band. Abramson also produced "Magic Records", children's records with four grooves on each side, each groove containing a different story, so the story played would be determined by the groove in which the stylus happened to land. In 1964 they approached Jerry Wexler and proposed a merger with Atlantic. He also signed a platinum rock group from England, The Escape Club, and served as executive producer of the soundtrack to the hit motion picture, Coming to America, starring Eddie Murphy. Union College. 1 in February and March 1953. Atlantic's early stereo recordings included "Lover's Question" by Clyde McPhatter, "What Am I Living For" by Chuck Willis, "I Cried a Tear" by LaVern Baker, "Splish Splash" by Bobby Darin, "Yakety Yak" by the Coasters and "What'd I Say" by Ray Charles. Michael Kyser has been named the first-ever President of Black Music for the Atlantic Records Group. But joy also comes in birthing the babies who we continue to build and develop you never know whos going to become our next superstar!. The position is responsible for all policy and procedures relating to student records, manages the key student records systems of the college, including those for student . The Atlantic Council, 2 p.m.:Looking North: Security in the Arctic Center for Strategic and International Studies, 4 p.m.: Discussion with outgoing Australian Ambassador to the U.S. ARTHUR . At his urging, Greenberg visited the UK six or seven times every year in search of acts to sign to the label.[72]. 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